In case you missed it, you can now stream my live performance from the Banding Together webathon that took place a few weeks ago. Check it out over at SoundCloud here or using the embedded player below.
I’m happy to be participating again this year in Banding Together, an annual benefit run by Lazlo of BlowUpRadio.com for the Spondylitis Association of America. It gives me great pleasure to be part of this fundraising effort and to donate my time and music to this cause.
If you donate $10 or more, you’ll receive a code to download an exclusive compilation album that contains a brand new recording of my original song, “Until You Let Me In.”
Here’s the link to donate: https://www.spondylitis.org/webathon
I’ll also be performing on the live webathon, which will be taking place all weekend long – Friday, October 18th through Sunday, October 20th. You can catch me on Sunday at 6:40pm live on blowupradio.com.
Sunday, October 20th
Live online for Banding Together – www.blowupradio.com
In case you missed it, you can now stream my performance on www.blowupradio.com as part of Banding Together 2018. On Friday, October 19th I traveled to Blow Up Radio’s HQ to perform as part of Banding Together 2018, a benefit for the Spondylitis Association of America.
Check it out in the embedded player below, or listen directly on SoundCloud here: https://soundcloud.com/joshbicknell/josh-bicknell-live-2018-banding-together-webathon-for-spondylitis-association-of-america
Tonight, I’ll be live on www.blowupradio.com at 8:45pm. It’s part of a larger webathon which is part of Banding Together, an annual benefit run by Lazlo of BlowUpRadio.com for the Spondylitis Association of America. It gives me great pleasure every year to be part of this fundraising effort and to donate my time and music to this cause.
I hope you listen and I hope you donate. Here’s a handy link to donate. https://www.spondylitis.org/webathon
If you donate, you’ll receive a code to download an exclusive compilation album that contains one of my new songs, “Knocking Down My Front Door.”
You can now listen to a live recording of my set from this year’s Banding Together performance.
If the embedded player doesn’t appear below, you can listen here: https://soundcloud.com/joshbicknell/live-espresso-joes-101417
Doubleheaders aren’t only for sporting events.
This past Saturday, I spent the afternoon playing as part of the Banding Together 2017 fundraising show at Espresso Joe’s in Keyport, NJ and the evening playing with Christina Alessi & the Toll Collectors for three sets at Maxfield’s on Main in Boonton, NJ.
If you haven’t done so yet, please consider donating to the Spondylitis Association of America. As a fun way to donate, you can purchase a digital compilation album, which includes exclusive tracks from local musicians. I have a track on there, too!
Donate at https://spondy.bandcamp.com today!
I’m thrilled to be part of this year’s benefit for the Spondylitis Association of America, Banding Together 2017. Lazlo from blowupradio.com organizes this successful effort each year. His wife suffers from Spondylitis, so this is a very personal cause for him.
Spondylitis is a genetic rheumatoid arthritic condition that causes inflammation and fusion in the vertebrae of the spine. To date BlowUpRadio.com has raised thousands of dollars for the cause, and raised awareness of the genetic disease which the Centers For Disease Control says affects more than 2.7 million adults in the US.
Want to help out?
There are two ways to contribute:
- Attend a Live Performance
- Purchase the Digital Compilation
Attend a Live Performance on Saturday Afternoon
I’m playing a solo acoustic set at Espresso Joe’s in Keyport, NJ on Saturday, October 14th at 2:30pm. Come at 2pm to see fellow Toll Collector Jonathan Andrew perform before me!
There are also shows featuring other great NY/NJ artists on Friday at 8pm at the Brighton Bar in Long Branch, NJ and the Clash Bar in Clifton, NJ on Saturday October 21st at 8pm.
Purchase the Digital Compilation Now
There’s an exciting compilation full of 36 exclusive tracks from local New Jersey/New York-based musicians. I’ve donated a live recording of one of my new songs “Don’t You Ever Want to Be In Love.” This is the only place you will be able to listen to this track!
Suggested donation is $10, but you can always donate more! It all goes to the Spondylitis Association.
Click the image above or click this link to access the exclusive compilation album: https://spondy.bandcamp.com
Hope to see you on Saturday!
After a battle with traffic on the NJ Turnpike extension, I was able to make it to Lazlo’s Banding Together live acoustic music marathon at Espresso Joe’s in Keyport, NJ. If you haven’t done so already, please download the compilation record to donate to the Spondylitis Association of America.
For those of you who missed the performance, you can now listen to a live recording below. If the embed doesn’t appear below, click here to listen directly on Soundcloud.
Here is a nice photo captured by Lola.
And here is the setlist.
I have a brand new recording to share with you today! It’s a newly-recorded version of my song “Walking On,” featuring Ty Tuschen on electric guitar. It’s part of Banding Together 2016, a compilation album to benefit the Spondylitis Association Of America. All proceeds will go to fund research and provide programs and services for people suffering from Spondylitis, a genetic rheumatoid arthritic condition that causes inflammation and fusion in the vertebrae of the spine, affecting more than 2.7 million adults in the United States.
This compilation album features 32 tracks of original music from local musicians and was curated by Lazlo at BlowUpRadio.com. Download the compilation album to support the cause today!
Thank you so much for supporting this cause!
Last year, I wrote about the recording process for Banding Together 2014 and how it evolved from 2012-2014. In 2015, the process took another step forward. Here’s how.
In 2012, I put a stereo field mic on my dining room table, sat in a chair, and let it happen. In 2013, I learned a bit about mic placement and I stood up to get some more energy on the recording. In 2014, I abandoned the stereo field mic approach and instead used two mics. This gave me better control over the balance between the voice and guitar.
As I set up to record Banding Together 2015, I started with the same approach as 2014. And then at the last minute, just before hitting record, out of the corner of my eye, I saw that same stereo field mic I had used in 2012 and 2013. I had a thought!
Though I liked the sound of the 2014 recording, everything sounded “up close.” As the listener, I didn’t get the sense I was in the room. There was no ambience, no space, no room sound. So at the last minute, I grabbed the stereo mic, placed it on the other side of the room, and hit record. I didn’t expect to use it in the final recording at all, but I thought it would be a nice experiment. I had changed my approach each year since 2012. It just didn’t feel right to take the same exact approach.
Well… what was just an experiment turned into a revelation.
I was shock when, after having finished recording my performance, I dropped the stereo field mic’s audio into the mix. It made it sound so much bigger! There was a bit of space between the source of the sound and the mic. The room acted as a natural mixing board, blending the sounds of my acoustic guitar and my voice in a natural way. Combining this sound source with the close up sources made the overall recording sound fatter and larger. It sounded like you were there in the room with me. Which was exactly what I was going for!
Having that room sound alongside the closer mics on my voice and guitar really gave me the best of both worlds. I had the detail and presence I needed from the close ups and I also had the room and a sense of space from the room mic.
And of course, after all this, I made a connection I probably should’ve made from the beginning.
It’s a lot like recording drums! The close up mics are for the detail, but the drums don’t sound complete until you hear what they sound like in the room. The room is essential!
Just like anything you are trying to capture acoustically, the room can make all the difference.